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Review: “Hadestown the Musical”
Committing to the job: Q&A with former ODYSSEY...
Review: “Lost Weekend”
CCSD announces three leadership appointments at start of...
What’s Happening Now? 08.24.26-08.30.26

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ReviewsSliderVariety

Review: “Hadestown the Musical”

September 4, 2026
Review: “Hadestown the Musical”
A poster for “Hadestown The Musical” is shown. The musical, which was released as pro-shot, first to theatres for a limited, five-day run in July and to streaming services on Aug. 25, offers a unique chance to see it in a more intimate, yet still as authentic, setting than the West End’s Lyric Theater. “Although the pro-shot doesn’t perfectly replicate the experience of attending a musical on the West End or Broadway, it was filmed in a way that inserts the viewers into the experience. This is done through vibrant color grading, frequent cuts to the live audience and their reactions and high quality sound-mixing,” Editor-in-Chief Lea D’Angelo wrote. Poster fair use of IMDb

“Hadestown The Musical” was released to streaming services on Aug. 25 after being filmed as a pro-shot on the West End, offering an intimate take on the theater experience.

“Wait for me, I’m coming, too.”

This line, echoed throughout the duration of “Hadestown The Musical,” reflects the journey the musical has taken from the turntable of the Broadway stage to the highly coveted, yet limited, place on the line in theaters in July, and finally, to the underground of Amazon Prime on Aug. 25.

The musical has been running on Broadway since 2019, and was filmed for pro-shot release in February 2025 during its limited West End-run in London. Narrated by the god Hermes (André de Shields), the play retells the Greek myth of young lovers Orpheus (Reeve Carney), a naive songwriter, and Euridyce (Eva Noblezada), a runaway, as they face the economic hardships and cold winter. The story also depicts the relationship between the rulers of the Underworld, Hades (Patrick Page) and Persephone (Amber Gray).

Although the pro-shot doesn’t perfectly replicate the experience of attending a musical on the West End or Broadway, it was filmed in a way that inserts the viewers into the experience. This is done through vibrant color grading, frequent cuts to the live audience and their reactions, and high-quality sound mixing.

Taking the road to Hell to Hadestown is not a journey worth missing out on, impeccably recreating the in-theatre experience in an authentic manner that still feels intimate to at-home viewership.

However, the soundtrack doesn’t need that sound mixing to still be impeccable. From the first jazzy hints of “Road to Hell” to bittersweet notes of “Raise Our Cups,” the musical blends American folk music with jazz blues in a highly controlled manner. Furthermore, the vocals of Noblezada, Carney and Gray, in particular, blend together in a way that will make viewers want to listen.

While the price of seeing the musical through streaming is considerably lower than it would be on the West End, it still costs a whopping $19.99 to rent for 48 hours and $24.99 to buy on Amazon Prime, prices that might make some viewers hesitant.

Even so, taking the road to Hell to Hadestown is not a journey worth missing out on, impeccably recreating the in-theatre experience in an authentic manner that still feels intimate to at-home viewership.

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Lea D'Angelo

Lea D’Angelo is a senior at Clarke Central High School in Athens, Georgia and the Editor-in-Chief for the ODYSSEY Media Group.Through the program, D’Angelo hopes to expand the reach of ODYSSEY’s publication and tell stories of her community. In her free time, she likes to read and hang out with her friends.

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