By SAM THOMPSON – Web Staff
“So this is the end of the story,” sings indie-pop artist Gotye, providing a rather pop-styled opening to Gucci Mane’s new album Trap God, released Oct. 19.
Following this refrain, Gucci Mane verbally illustrates his past, where his strenuous yet lucrative life started and how it set a precedent for the future. Intermittently placed throughout the album are tracks echoing this same message, along with other simple yet respectable southern-rap-styled street music tracks.
Some reviews of Trap God criticize its nature, stating that it is “rough,” “basic” and “mediocre.” They also add that it is the product of typical “trap music.” However, the self-reflection and new quality of sound that Gucci has brought to this album is completely disproves these critiques.
Regardless of these accusations, Black Entertainment Television ranked Trap God as one of the best mixtapes of 2012. With Gucci Mane’s numerous features and collaborations with other artists, he has commendably been able to maintain the same prowess as the likes of Rick Ross and Young Jeezy, a notable and impressive feat considering Gucci has only been in the industry since 2005.
Trap God is, above all, appealing due to its new flow blended with a classic rhythm. An overall distinct sound dispersed throughout the album stands out as well. The mixtape, to convey it simply, is unique.
While there are some typicalities with the standard productions of Gucci’s sub-genre, the new attitude and character that he brings to the table is substantial enough to set his work apart from other artists.
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